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This fascinating exploration of Leonardo da Vinci's life and work identifies what it was that made him so unique, and explains the phenomenon of the world's most celebrated artistic genius who, 500 years on, still grips and inspires us.
Martin Kemp offers us exceptional insights into what it was that made this Renaissance man so special, and the "real" meaning behind such masterpieces as the Mona Lisa and the Last Supper. Tracing Leonardo's career in all its variety, we learn of his unfulfilled dreams, relationships with powerful patrons, and the truth about his views on God, humanity, and nature. The famous notebooks are the key to understanding the secret of Leonardo's success and genius, Kemp shows, as they clearly reveal the workings of his mind and display the truly innovative and investigative nature of his creative vision. In these notebooks, over 20,000 pages of drawings and notes detail his incredible discoveries and inventions--from the workings of the human eye to designs for flying machines and giant crossbows. Bringing the story up to the present day, Martin Kemp considers what he means to us today, investigates the "Leonardo industry," and speculates about what he would be doing if he were alive today.
This updated edition of Martin Kemp's best-seller is the first book on Leonardo to include two newly discovered works, the most important such discoveries in over a hundred years.
- Sales Rank: #148289 in Books
- Published on: 2011-11-01
- Original language: English
- Number of items: 1
- Dimensions: 5.10" h x .50" w x 7.70" l, 1.10 pounds
- Binding: Paperback
- 312 pages
Review
Reviews from previous edition
"Leonardo seen from the inside out."--The New Yorker
"Excellent" --Sunday Telegraph
"Filled with fresh thought... Kemp has succeeded at something that is possible only after years of reflection." --Los Angeles Times
"Excites the reader's admiration for the restless vitality of the man and his ideas." --Washington Post Book World
About the Author
Martin Kemp is Emeritus Professor in the History of Art at Trinity College, Oxford University. The author of The Oxford History of Western Art and Leonardo, he appears frequently in the media.
Most helpful customer reviews
36 of 38 people found the following review helpful.
Depends on what you are looking for...
By RompingStallion
This is an excellent historical biography on Leonardo da Vinci. The book is solid facts one after another, mostly taken from surviving documents such as financial transactions and Leonardo's notebooks. The downside is that if you are reading this book for the sake of reading a good book, it can be a tad boring. The writing style is not fluid, perhaps a little choppy at times, since it is so fact-oriented. If you want to know the cold hard facts about Leonardo, this is the book for you (like for a research project). If you are looking for a good read that is a little more subjective you might not like it as much.
25 of 27 people found the following review helpful.
The Story of an Exceptional Renaissance Man!!!
By STEPHEN PLETKO
+++++
This book by Oxford University Professor of Historical Art Martin Kemp gives the reader the opportunity to "grasp the essential nature of Leonardo da Vinci, both as himself and as a historical phenomenon." Kemp, who has investigated Leonardo for over thirty years, does this through historical documents and through studying mainly Leonardo's drawings and paintings.
A highlight of this book is the inclusion of letters not only written by Leonardo but those written about him or his works. For example, consider this letter from another artist written during the last years of Leonardo's life:
"[The King], being enamoured to such an extraordinary degree of Leonardo's great talents, took such pleasure in hearing him talk that he would only on a few days deprive himself of his company...I cannot resist repeating the words I heard the King say about him...he said that a man had never been born who knew as much as Leonardo, not only in the spheres of painting, sculpture, and architecture, but in that he was a very great philosopher."
This book contains almost twenty-five reproductions of Leonardo's drawings peppered throughout. My personal favorites are Leonardo's engineering drawings and anatomical drawings. There are also twenty mainly color plates (in two sets of ten plates). These consist mainly of reproductions of Leonardo's paintings. My personal favorites are the "Mona Lisa" and the "Last Supper." There is also a "Gallery" of his paintings at the end of the book. This gallery consists of nearly twenty-five reproductions.
The very last section of the book has "Leonardo's Life in Outline." It traces his life from when he was born in 1452 until he died in 1519. This is especially good because it gives the reader, in brief form, an overall view of Leonardo's life.
This book's greatest service is that it separates fact from fiction. Kemp explains: "For the writer of fiction, the license [regarding Leonardo's life] is almost unlimited. Dan Brown's phenomenally successful `The Da Vinci Code' [is an example which presents fictional facts]. In the service of fiction, such unfounded `facts' are fine; as history they perpetrate nonsense. The problem with Brown's "Code" is not the invention of `truth;' but that it has been taken seriously by those who cannot recognize fiction as fiction."
Finally, the only minor problem I had is that the table of contents lists what drawings are found in this book but it does not specify what page these drawings are found on. I found this frustrating if I had to refer to a specific drawing.
In conclusion, this book explores Leonardo da Vinci's life and works. Be sure to read it to discover why, 500 years after his death, Leonardo still grips and inspires us!!
(first published 2004; preface; list of plates and figures; introduction; 6 chapters; main narrative 245 pages; gallery; Leonardo's life in outline; further reading; index)
+++++
25 of 28 people found the following review helpful.
Doesn't satisfy as biography or academic work but an easy read
By Los Angeles reader
Based on other reviews and the author's status as an Oxford professor of art history who has spent years studying Leonardo, I was looking forward to this book. What I found instead was an easy read that is neither fish nor foul. The author waxes sentimental over his stay in "Mona Lisa's room" and takes jibes at Dan Brown fans. His chapters on Leonardo's science describe Leonardo's ideas in detail, with great reverence for Leonardo's intellect, but it would be more interesting to hear Leonardo's ideas assessed according to modern perspective: do today's geologists agree about the previous existence of lakes? Were his math solutions or water treatises worth anything as science? Kemp's book is neither a full, warm biographical portrait, nor an academic assessment of Leonardo's contributions to art and science, but it is short and double-spaced. Beware frequent typos and homonym errors such as "raised to the ground."
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