Sunday, 4 December 2011

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Recycling Intermediate English with Removable Key (Georgian Press), by Clare West

A series of four books that provide extensive guidance and English practice in key areas of the language. This book for lower-intermediate to intermediate students provides extensive guidance and practice in four crucial areas: Grammar, Vocabulary, Situations and Writing. Recycling Intermediate English can be used to supplement any coursebook at this level, in class or for self-study. It provides useful extra practice for the Cambridge Preliminary English Test (PET) and the Skills for Life Entry 3 examination.

  • Sales Rank: #4491805 in Books
  • Brand: imusti
  • Published on: 2010-05-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.83" h x .28" w x 8.31" l, .90 pounds
  • Binding: Paperback
  • 144 pages
Features
  • Cambridge University Press

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Friday, 2 December 2011

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The Stranger in the Woods: The Extraordinary Story of the Last True Hermit, by Michael Finkel

Many people dream of escaping modern life, but most will never act on it.�This is the remarkable true story of a man who�lived alone in the woods of Maine for�27�years, making this dream a reality—not out of anger at the world, but simply because he preferred to live on his own.�

In 1986, a shy and intelligent twenty-year-old named Christopher Knight left his home in Massachusetts, drove to Maine, and disappeared into the forest. He would not have a conversation with another human being until nearly three decades later, when he was arrested for stealing food. Living in a tent even through brutal winters, he had survived by his wits and courage, developing ingenious ways to store edibles and water, and to avoid freezing to death. He broke into nearby cottages for food, clothing, reading material, and other provisions, taking only what he needed but terrifying a community never able to solve the mysterious burglaries. Based on extensive interviews with Knight himself, this is a vividly detailed account of his secluded life—why did he leave? what did he learn?—as well as the challenges he has faced since returning to the world. It is a gripping story of survival that asks fundamental questions about solitude, community, and what makes a good life, and a deeply moving portrait of a man who was determined to live his own way, and succeeded.

  • Sales Rank: #57 in Books
  • Published on: 2017-03-07
  • Released on: 2017-03-07
  • Format: Deckle Edge
  • Original language: English
  • Dimensions: 8.60" h x .90" w x 5.90" l, .83 pounds
  • Binding: Hardcover
  • 224 pages

Review
"Michael Finkel has somehow found a story that takes the two primary human relationships—to nature and to one another—and deftly upends our assumptions about both. This was a breathtaking book to read and many weeks later I am still thinking about the implications for our society and—by extension—for my own life."
—Sebastian Junger, author of�Tribe: On Homecoming and Belonging

"A gripping parable... Profound… Michael Finkel has done something magical… His investigation runs deep, summoning not only his surprising, poignant friendship with the book’s protagonist, but also the human history of our own attempts to find meaning in a noisy world."
—Michael Paterniti, bestselling author of�The Telling Room�and�Driving Mr. Albert

"Chris Knight is an American original, a man who kept himself hidden from all other humans for more than a quarter of a century. I burned through this haunting tale in one rapt sitting."
—John Vaillant, bestselling author of�The Tiger�and�The Golden Spruce

"[A] surprising page-turner... Finkel's voice in this fresh new chronicle is clean, clear, lucid—his attention fair and compassionate."
—Lawrence Weschler, author of�Mr. Wilson's Cabinet of Wonder�and�Waves Passing in the Night: Walter Murch in the Land of the Astrophysicists

"A wry meditation on one man's attempt to escape life's distractions and look inwards, to find meaning not by doing, but by being."
—Martin Sixsmith,�author of Philomena

"Engrossing… A tightly written, compelling narrative… Thought-provoking and enduring, one that will leave readers thinking deeply about modern society, the search for meaning and the impact of solitude."
—Stephanie Bouchard,�Portland Press Herald

"[A] fascinating account of Knight's renunciation of humanity… Deeply compelling."
—Publishers Weekly

"Riveting… A stunning look inside at the life and inner thoughts of one of our era’s most confounding characters."
—John Holyoke,�Bangor Daily News

"Vivid and clear… A fine exploration of the mysterious life of a hermit."
—Laurie Hertzel,�Star Tribune

"Compelling… Finkel’s telling of this story is remarkable."
—Sarah Walker Caron,�Bangor Daily News

"Richly detailed… A book worth reading… [A] stunning account of one man’s obsessive withdrawal from society. The Stranger in the Woods is, ultimately, a meditation on the pains of social obligation and the longing toward retreat that resides in us all."
—Michael Harris, Toronto Globe and Mail

"[The Stranger in the Woods] is partly about what it means to be a hermit: Tactically, practically, psychologically. But Finkel’s book is also about what we want from hermits—why we’re endlessly fascinated by them, and why we’re just as often frustrated by them."
—Colin Dickey,�the New Republic

"Campfire-friendly and thermos-ready, easily drained in one warm, rummy slug… Raises a variety of profound questions—about the role of solitude, about the value of suffering, about the diversity of human needs."
—Jennifer Senior, The New York Times

"Thought-provoking… Well researched and compassionate… Finkel’s account artfully blends the details of Knight’s childhood, how he survived in the woods, his legal proceedings and his eventual uneasy return to society, along with informative descriptions of various hermits throughout history and their motivations."
—Alice Cary,� BookPage’s “Nonfiction Top Pick”

About the Author
MICHAEL FINKEL is the author of True Story: Murder, Memoir, Mea Culpa, which was adapted into a 2015 major motion picture. He has written for National Geographic, GQ, Rolling Stone, Esquire, Vanity Fair, The Atlantic, and The New York Times Magazine. He lives in western Montana.

Excerpt. � Reprinted by permission. All rights reserved.
Chapter 16

Knight lived in the dirt but was cleaner than you. Way cleaner. Pine needles and mud don’t make you dirty, except superficially. The muck that matters, the bad bacteria, the evil virus, is typically passed through coughs and sneezes and handshakes and kisses. The price of sociability is sometimes our health. Knight quarantined himself from the human race and thus avoided our biohazards. He stayed phenomenally healthy. Though he suffered deeply at times, he insists he never once had a medical emergency, or a serious illness, or a bad accident, or even a cold.

During the summers, especially in the early years, he was strong, fit, and spry. “You should have seen me in my twenties—I ruled the land I walked upon, it was mine,” Knight said, exposing the prideful streak that runs below his surface of contrition. “Why shouldn’t I claim it as my own? No one else was there. I was in control. I controlled it as much as I wanted. I was lord of the woods.”

Poison ivy grows throughout the area; its prevalence prevented some people from searching for his site. Knight kept�a little jingle in his head—“leaves of three, let it be”—and so ably memorized where each patch grew that even at night he didn’t brush against it. He says he was never once afflicted.

Lyme disease, a bacterial illness transmitted through tick bites that can cause partial paralysis, is endemic to central Maine, but Knight was spared that as well. He brooded about Lyme for a while, then came to a realization: “I couldn’t do anything about it, so I stopped thinking about it.”

Living in the woods, subject to the whims of nature, offers a great deal of autonomy but not much control. At first, Knight worried about everything: snowstorms might bury him, hikers could find him, the police would capture him. Gradually, methodically, he shed most of his anxiety.

But not all. Being too relaxed, he felt, was also a danger. In appropriate doses, worry was useful, possibly lifesaving. “I used worry to encourage thought,” he said. “Worry can give you an extra prod to survive and plan. And I had to plan.”

At the conclusion of each thieving mission, he was absolved temporarily of worry. The order in which he ate his food was governed by the pace of spoilage, ground beef to Twinkies. When he was down to little more than flour and shortening, he’d mix those together with water and make biscuits. He never stole homemade meals or unwrapped items, for fear someone might poison him, so everything he took came sealed in a carton or can. He ate every morsel, scraping the containers clean. Then he deposited the wrappers and cartons in his camp’s dump, stuffed between boulders at the boundary of his site.

The dump was scattered over an area of about a hundred�square feet. One section was devoted to items like propane tanks and old mattresses and sleeping bags and books, another to food containers. Even in the food area, there was no odor. Knight added layers of dirt and leaves to aid with composting, which eliminated any smell, but most of the packaging was waxed cardboard or plastic, slow to disintegrate. Upon excavation, the colors on many boxes remained garish, superlatives and exclamation points and rococo typography popping from the soil while robins chirped in the branches above.

The archeological record contained in his dump revealed why Knight’s only significant health issue was his teeth. He brushed regularly, he stole toothpaste, but did not see a dentist and his teeth began to rot. It didn’t help that his culinary preferences never progressed beyond the sugar-and-processedfood palate of a teenager. “ ‘Cooking’ is too kind a word for what I did,” he said.

A staple meal was macaroni and cheese. Dozens of macand-cheese boxes were buried between the rocks, along with several empty spice bottles—black pepper, garlic powder, hot sauce, blackened seasoning. Often, when Knight was inside a cabin with a good spice rack, he would grab a new bottle and try it out on his macaroni and cheese.

Also in his dump was a flattened thirty-ounce container from cheddar-flavored Goldfish crackers, a five-pound tub from Marshmallow Fluff, and a box that had held sixteen Drake’s Devil Dogs. There were packages from graham crackers, tater tots, baked beans, shredded cheese, hot dogs, maple syrup, chocolate bars, cookie dough. Betty Crocker scalloped potatoes and Tyson chicken strips. Country Time�lemonade and Mountain Dew. El Monterey spicy jalape�o and cheese chimichangas.

All of this came from a single kitchen-sink-sized hole, dug out by hand. Knight had fled the modern world only to live off the fat of it. The food, Knight pointed out, wasn’t exactly his choice. It was first selected by the cabin owners of North Pond, then snatched by him. He did steal a little money, an average of fifteen dollars a year—“a backup system,” he called it—and lived an hour’s walk from the Sweet Dreams convenience store and deli, but never went there. The last time he ate at a restaurant, or even sat at a table, was at some fast-food place during his final road trip.

He stole frozen lasagna, canned ravioli, and Thousand Island dressing. You can dig in the dump until you’re lying on your side, arm buried to the shoulder, and more keeps emerging. Cheetos and bratwurst and pudding and pickles. Quarry a trench deep enough to fight a war from—Crystal Light, Cool Whip, Chock full o’Nuts, Coke—and you still won’t reach bottom.

So he wasn’t a gourmet. He didn’t care what he ate. “The discipline I practiced in order to survive did away with cravings for specific food. As long as it was food, it was good enough.” He spent no more than a few minutes preparing meals, yet he often passed the fortnight between raids without leaving camp, filling much of the time with chores, camp maintenance, hygiene, and entertainment.

His chief form of entertainment was reading. The last moments he was in a cabin were usually spent scanning bookshelves and nightstands. The life inside a book always felt�welcoming to Knight. It pressed no demands on him, while the world of actual human interactions was so complex. Conversations between people can move like tennis games, swift and unpredictable. There are constant subtle visual and verbal cues, there’s innuendo, sarcasm, body language, tone. Everyone occasionally fumbles an encounter, a victim of social clumsiness. It’s part of being human.

To Knight, it all felt impossible. His engagement with the written word might have been the closest he could come to genuine human encounters. The stretch of days between thieving raids allowed him to tumble into the pages, and if he felt transported he could float in bookworld, undisturbed, for as long as he pleased.

The reading selection offered by the cabins was often dispiriting. With books, Knight did have specific desires and cravings—in some ways, reading material was more important to him than food—though when he was famished for words, he’d subsist on whatever the nightstands bestowed, highbrow or low.

He liked Shakespeare, Julius Caesar especially, that litany of betrayal and violence. He marveled at the poetry of Emily Dickinson, sensing her kindred spirit. For the last seventeen years of her life, Dickinson rarely left her home in Massachusetts and spoke to visitors only through a partly closed door. “Saying nothing,” she wrote, “sometimes says the most.”

Knight wished he’d been able to procure more poetry written by Edna St. Vincent Millay, a fellow native of Maine, born in the coastal village of Rockland in 1892. He quoted her bestknown lines—“My candle burns at both ends / It will not last�the night”—and then added, “I tried candles in my camp for a number of years. Not worth it to steal them.”

If he were forced to select a favorite book, it might be The Rise and Fall of the Third Reich, by William Shirer. “It’s concise,” Knight said, a quick twelve hundred pages, “and impressive as any novel.” He stole every book on military history he saw

He pilfered a copy of Ulysses, but it was possibly the one book he did not finish. “What’s the point of it? I suspect it was a bit of a joke by Joyce. He just kept his mouth shut as people read into it more than there was. Pseudo-intellectuals love to drop the name Ulysses as their favorite book. I refused to be intellectually bullied into finishing it.”

Knight’s disdain for Thoreau was bottomless—“he had no deep insight into nature”—but Ralph Waldo Emerson was acceptable. “People are to be taken in very small doses,” wrote Emerson. “Nothing can bring you peace but yourself.” Knight read the Tao Te Ching and felt a deep-rooted connection to the verses. “Good walking,” says the Tao, “leaves no tracks.”

Robert Frost received a thumbs-down—“I’m glad his reputation is starting to fade”—and Knight said that when he ran out of toilet paper, he sometimes tore pages from John Grisham novels. He mentioned that he didn’t like Jack Kerouac either, but this wasn’t quite true. “I don’t like people who like Jack Kerouac,” he clarified.

Knight stole portable radios and earbuds and tuned in daily, voices through the waves another kind of human presence. For a while he was fascinated by talk radio. He listened to a lot of Rush Limbaugh. “I didn’t say I liked him. I said I�listened to him.” Knight’s own politics were “conservative but not Republican.” He added, perhaps unnecessarily, “I’m kind of an isolationist.”

Later he got hooked on classical music—Brahms and Tchaikovsky, yes; Bach, no. “Bach is too pristine,” he said. Bliss for him was Tchaikovsky’s The Queen of Spades. But his undying passion was classic rock: the Who, AC/DC, Judas Priest, Led Zeppelin, Deep Purple, and, above all, Lynyrd Skynyrd. Nothing in all the world received higher praise from Knight than Lynyrd Skynyrd. “They will be playing Lynyrd Skynyrd songs in a thousand years,” he proclaimed.

On one raid he stole a Panasonic black-and-white fiveinch-diagonal television. This was why he needed so many car and boat batteries—to power the TV. Knight was adept at wiring batteries together, in series and parallel. He also carried off an antenna and hid it high in his treetops.

He said that everything shown on PBS was “carefully crafted for liberal baby boomers with college degrees,” but the best thing he watched while in the woods was a PBS program, Ken Burns’s documentary The Civil War. He was able to recite parts of the show verbatim. “I still remember Sullivan Ballou’s letter to his wife,” said Knight. “It brought tears to my eyes.” Ballou, a major in the Union army, wrote to Sarah on July 14, 1861, and was killed at the First Battle of Bull Run before the letter was delivered. The note spoke of “unbounded love” for his children, and Ballou said his heart was attached to his wife’s “with mighty cables that nothing but Omnipotence could break”—an expression of human connection that made Knight weep, even if he wasn’t compelled to seek it himself.

Knight was aware of world events and politics, but he seldom had any reaction. Everything seemed to be happening far away. He burned through all his batteries after September 11, 2001, and never watched television again. “Car batteries were so heavy and difficult to steal anyway,” he said. He repurposed the ones he had as anchor weights for guylines, and after he stole a radio that received television audio signals, he switched to listening to TV stations on the radio; “theater of the mind,” he called it. Seinfeld and Everybody Loves Raymond were his television-on-the-radio favorites.

“I do have a sense of humor,” Knight said. “I just don’t like jokes. Freud said there’s no such thing as a joke—a joke is an expression of veiled hostility.” His favorite comedians were the Marx Brothers, the Three Stooges, and George Carlin. The last movie he saw in a theater was the 1984 comedy Ghostbusters.

He never bothered listening to sports; they bored him, every one of them. For news, there were five-minute updates at the top of the hour on WTOS, the Mountain of Pure Rock, out of Augusta. Also, he said, he sometimes listened to French news stations out of Quebec. He didn’t speak French, but he understood most of it.

He liked handheld video games. His rule for stealing them was that they had to appear outdated; he didn’t want to take a kid’s new one. He’d be stealing those in a couple years anyway. He enjoyed Pok�mon, Tetris, and Dig Dug. “I like games that require thought and strategy. No shoot-’em-ups. No mindless repetitive motion.” Electronic Sudoku was great, and crossword puzzles in magazines were welcome challenges, but he�never took a deck of cards to play solitaire, and he doesn’t like chess. “Chess is too two-dimensional, too finite of a game.”

He didn’t create any sort of art—“I’m not that type of person”—nor did he spend any nights away from his camp. “I have no desire to travel. I read. That’s my form of travel.” He never even glimpsed Maine’s celebrated coastline. He claimed that he did not speak to himself aloud, not a word. “Oh, you mean like typical hermit behavior, huh? No, never.”

Not for a moment did he consider keeping a journal. He would never allow anyone to read his private thoughts; therefore, he did not risk writing them down. “I’d rather take it to my grave,” he said. And anyway, when was a journal ever honest? “It either tells a lot of truths to cover a single lie,” he said, “or a lot of lies to cover a single truth.”

Knight’s ability to hold a grudge was impressive. Though many National Geographic magazines were buried beneath his tent, he despised the publication. “I didn’t even like stealing them,” he said. “I only looked at them when I was desperate. They’re really only good for burying in the dirt. That glossy paper lasts a long time.”

His aversion to National Geographic extends back to his youth. When Knight was in high school, he was reading a copy and came across a photo of a young Peruvian shepherd standing beside a road, crying. Behind him were several dead sheep, struck by a car as the boy had been trying to guide them. The photograph was later reprinted in a book of National Geographic’s all-time greatest portraits.

It incensed Knight. “They published a photo of the boy’s humiliation. He had failed his family, who had entrusted him�with the herd. It’s disgusting that everybody can see a little boy’s failure.” Knight, still furious about the image thirty years later, was a man acutely attuned to the ravages of shame. Had he done something shameful before he’d fled to the forest? He insisted that he had not.

Knight had a strong distaste for big cities, filled with helpless intellectuals, people with multiple degrees who couldn’t change a car’s oil. But, he added, it wasn’t as if rural areas were Valhalla. “Don’t glorify the country,” he said, then tossed off a line from the first chapter of The Communist Manifesto about escaping “the idiocy of rural life.”

He acknowledged, forthrightly, that a couple of cabins were enticing because of their subscriptions to Playboy. He was curious. He was only twenty years old when he disappeared, and had never been out on a date. He imagined that finding love was something like fishing. “Once I was in the woods, I had no contact, so there was no baited hook for me to bite upon. I’m a big fish uncaught.”

One book that Knight never buried in his dump or packed away in a plastic tote—he kept it with him in his tent—was Very Special People, a collection of brief biographies of human oddities: the Elephant Man, General Tom Thumb, the DogFaced Boy, the Siamese twins Chang and Eng, and hundreds of sideshow performers. Knight himself often felt that he was something of circus freak, at least on the inside.

“If you’re born a human oddity,” says the introductory chapter of Very Special People, “every day of your life, starting in infancy, you are made aware that you are not as others are.” When you get older, it continues, things are likely to get�worse. “You may hide from the world,” advises the book, “to avoid the punishment it inflicts on those who differ from the rest in mind or body.”

There was one novel above all others, Knight said, that sparked in him the rare and unnerving sensation that the writer was reaching through time and speaking directly to him: Dostoyevsky’s Notes from the Underground. “I recognize myself in the main character,” he said, referring to the angry and misanthropic narrator, who has lived apart from all others for about twenty years. The book’s opening lines are: “I am a sick man. I am a spiteful man. I am an unattractive man.”

Knight also expressed no shortage of self-loathing, but it was offset by a fierce pride, as well as an occasional trace of superiority. So, too, with the unnamed narrator of Underground. On the final page of the book, the narrator drops all humbleness and says what he feels: “I have only in my life carried to an extreme what you have not dared to carry halfway, and what’s more, you have taken your cowardice for good sense, and have found comfort in deceiving yourselves. So that perhaps, after all, there is more life in me than in you.”

Most helpful customer reviews

120 of 126 people found the following review helpful.
Riveting Then Heartbreaking --- Please Make a Movie
By ChristineMM
I wanted to read this book as the Maine woods have been a part of my life and I was unfamiliar with this story until I saw this book. I realized from the start that at the core of this story was an important topic I already have been worrying about that I feel American society either is unaware of or is purposefully ignoring: the neuro-atypical person and the challenge of how they will live (not thriving but suffering) in modern America.

I found the book a page turner from the start. I did sneak to the Internet as I was dying to know more and found many videos online such as press conferences with the investigating local law enforcement and video of the now-disassembled camp site. The story was written in a way that was engaging and it moved at a pace that was just right. It's a short 201 pages and the personal details were provided in just nine hours of interviewing, limited by the "hermit's" choice to tell only so much and no more, keeping some things private, and sharing his opinions that are sometimes short and blunt (not pontificating).

This is the story of a man who walked into the Maine woods with a small number of items who chose to live in seclusion, robbing lakeside summer camps (vacation cabins) for food and basic supplies. With no military or survivalist training other than reading trade books such as the Foxfire series, he devised systems and carved a llife that allowed him to live for 27 years in the brutal Maine woods, sometimes in 20+ below zero winter weather. He only interacted with other people twice, once saying just "hi" to a hiker and once with hand movements and body language only. Knight was content and found peace in living that life until he was caught with the help of sophisticated surveillance equipment while robbing food from a nonprofit camp for disabled children (including kids on the Autism Spectrum).

While telling the story of Christopher Knight's life as a hermit, Finkel weaves in his research on the related topics of voluntary solitude versus loneliness, the brain and what scientific studies have told us about the human need for social connection, the role of hormones, and about various (supposed) disorders that our society has invented and given names to. To a layperson Knight seems to have Asperger's, but that's a diagnosis that now no longer exists, it's been renamed and grouped under the broader umbrella term Autism Spectrum Disorder. From my own reading of the book Misdiagnosis and Dual Diagnosis of Gifted Children and Adults by James Webb et al I wonder if Knight's IQ is one that is so high that other neuro-atypical elements also are present. In the book it was said that doctors refused to make a diagnosis of Asperger's because Knight was too high functioning in daily life to qualify for the diagnosis. The heartbreaking part of this story is that the suffering that Knight endured was due to square pegs not fitting in the round holes of modern American society, his relief and contendedness was found living in isolation in nature, but this is not really allowed in America, and when possible it's only available to those who are able to financially support themselves due to an inheritance or some income stream that they are lucky to find that meshes with their talents and abilities. Also explored in the book was how other cultures around the world have places for hermit-types to go and to live supported for their basic need for food and shelter by society (not financially self-sufficient). Prior to the disassembling of the asylums in the United States, perhaps some of the residents were those who were square pegs.

If you just want to hear the story of who, what, when, where, why and how, all that is here in a short easy read. I finished it off in under 48 hours reading between living my regular life. I could have finished it in one sitting if I wanted to stay up too late or clear my calendar for a morning. But this book provides more food for thought, for me at least, than just Knight's hermit years story. I hope this book is a catalyst for Americans to think about this issue, with the rising rates of Autism and mental illness, we have more people this decade than ever before who are not fitting in with the mandatory American public school system and who are not fitting in to work jobs as adults enough to support themselves independently let alone the issue of if a person is happy or content. When a person suffers now they are labeled as depressed, if they worry too much, they have anxiety. The rise in the use of psychiatric medications to try to help people who are not fitting in with American society's defined "right way to function and be" is not always successful in converting a person into being something we call cured. We don't just let people be, anyone found to be atypical is trying to be fixed. If relatives take in a family member with what we call a disability or mental illness, the cost of living can be so high that it's hard to afford it. This societal problem is going to get worse in the upcoming decades. But I digress.

This book is a great read that informs and it was written with respect and portrays Knight with dignity. It's not sensationalized for entertainment purposes and it's not patronizing (thank goodness). Rating 5 stars = Love It. This NEEDS TO BE MADE INTO A MOVIE so it can reach a wider audience and that income perhaps can support Knight's ability to live the kind of life he needs to feel inner peace and contentment.

23 of 24 people found the following review helpful.
clearly better than anyone else has
By carilynp
Michael Finkel, author of the true story of THE STRANGER IN THE WOODS: THE EXTRAORDINARY STORY OF THE LAST TRUE HERMIT, you have my utmost respect. Not only is this story of Chris Knight one of the most compelling that I have read in some time, but the lengths that you went to, to research his venture into the woods of Maine, to understand him, to get to know him, clearly better than anyone else has, and to represent him with such dignity, astounds me.
Having never heard of this story, I was riveted from the get-go. What would possess a person to want to leave society and be completely isolated from their family and all society for that matter. It wasn’t until the end of the book that I truly understood Knight’s yearning for this lifestyle. I’m not sure that when he set out to live as a hermit, that he knew yet either.
While some, especially those whose homes were burgled, might still never understand what would cause a person to want to live in such extreme conditions let alone in solitude, far removed from the ‘regular’ world, after reading the book, while I will never spend a night, let alone an hour in the woods, what drew Knight makes sense to me now.
As the author quotes philosopher Merton, among others, “true solitary does not seek himself, but loses himself.” This book teaches us so much about what it truly means to be with oneself. The deeply profound and intellectually stimulating thoughts that come from doing so, most of us will probably never know. It is not just a story about how a man one day walked into the woods and decided to leave his life behind and live off the land, and the pantries of hundreds of nearby cabins. It is so much more. So much more thought-provoking. It’s not to say that after reading THE STRANGER IN THE WOODS that every reader will feel compelled to pick up and leave their jobs, families, and the comfort of modern society behind, but it sure does offer food for thought.
Finkel points out “that most of us feel like something is missing from our lives, and wondered then if Knight’s journey was to seek it. But life isn’t about searching endlessly to find what’s missing; it’s about learning to live with the missing parts.”

11 of 11 people found the following review helpful.
Great book!
By bookstar
Fascinating book. I could not put it down. The writing is brilliant and the story is amazing. This was the most interesting book I've read in many years. It makes you think about being alone and what the word 'alone' really means to you.

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Saturday, 19 November 2011

[M263.Ebook] Download Meryl Streep: Anatomy of an Actor, by Karina Longworth

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Meryl Streep: Anatomy of an Actor, by Karina Longworth

One of the most talented actresses of her generation, Meryl Streep provides a high benchmark by which others are measured. In films such as The Deer Hunter (1978), Kramer vs. Kramer (1979), Mamma Mia (2008), and The Iron Lady (2010), Streep has astounded audiences with her ability to fully inhabit characters. She has received 17 Academy Award nominations and 27 Golden Globe nominations – more nominations than any other actor in the history of either award.

Meryl Streep: Anatomy of an Actor is a new addition to Cahiers du Cinema, a fascinating series from the world–renowned cinema magazine. The book focuses on ten key performances, exploring the unparalleled career of Meryl Streep through narrative and analytical text accompanied by 300 images, including film stills and set photographs, as well as film sequences, script notes, and more. This thoughtful and lively examination of Streep’s craft will appeal to film professionals and casual movie fans alike.

  • Sales Rank: #542327 in Books
  • Published on: 2014-01-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x 1.00" w x 8.63" l, 2.55 pounds
  • Binding: Hardcover
  • 191 pages

Review
"Longworth’s book functions both as a biography of a star and a theory of stardom. It is a nuanced, enviably readable work of cultural studies." – Slate

About the Author
Karina Longworth is a film critic and journalist based in Los Angeles. She has contributed to�LA Weekly,�Village Voice, Vanity Fair, The Guardian, Slate�and other publications.

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6 of 6 people found the following review helpful.
Critical Analysis of a Great Actress!
By Mike O'Connor
Meryl Streep is arguably the greatest living actress ever. Her list of awards is awesome. She's been nominated 18 times for Oscars - more than any other actor/actress ever - and won three times. Her string of 28 Golden Globe nominations - 8 wins - is also a record-setter. Then there's two Emmys, two SAG awards, BAFTA, an AFI Life Achievement Award, etc., etc. It's fair to say the kid can act!

Karina Longworth's MERYL STREEP, ANATOMY OF AN ACTOR is part of the CAHIERS DU CINEMA series, which examines the career and craft of oustanding actors. (Other volumes have focused on Pacino, Brando, etc.). Longworth's book explores and analyzes Streep's career development by focusing on ten iconic films, detailing the who-what-where-why-and-how of Steep's involvement and performance. The films include KRAMER VS KRAMER, SILKWOOD, OUT OF AFRICA, BRIDGES OF MADISON COUNTRY and THE IRON LADY. Longworth interweaves biographical details with the film criticism to present a multui-layered portrait of the woman and the actress. The book combines probing, insightful narrative, comments from Streep and her co-stars/directors/etc. and a nice mix of b&w and color photographs.

Film buffs will enjoy Longsworth's book. It's certainly a step above - a big step above - most "The Films of XX" books. It's revealing and informative and helps unlock keys behind the work of a great actress. Recommended.

*****
I have always had the same attraction to Streep's work that I have had to Laurence Olivier's. It's fascinating to watch them in action, seeing the obvious intelligence behind the work and marveling at their performance. Yet there's inevitably the realization that they're ACTING - technique, technique, technique! - versus being the character. FYI.

*****
7,050 Helpful Votes!

3 of 3 people found the following review helpful.
well-written book about one of the greatest actress of the century---and probably all time
By J. David Kopp
A thorough, well-written book about one of the greatest actress of the century---and probably all time. Sometimes analytical in its approach, it is still completely engaging and substantial. Any fan of hers will be satisfied; any non-fan will be educated and informed enough to make them want to explore her impressive body of work and undoubtedly BECOME a fan. If you only give her one chance, see "Sophie's Choice", one of her older movies, but I guarantee you won't be dry-eyed at the end of it. And you'll NEVER forget it. Trust me.

2 of 3 people found the following review helpful.
Amazing Meryl Streep biography and even though its not a 'kids book', our 10 year loves it!!!
By BlueSkies
Bought this for our 10 year old that loves Meryl Streep - and a kid that is very into the world of acting. The book is really amazing. It analyzes 10 of her characters and goes into depth on that particular character, Meryl's insights, interviews, and what not. There are loads of images. The content is certainly written for adults, and not 'written for kids' - but due to her sheer passion, she is devouring this book and hasnt put it down. Completely happy with the purchase!

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Friday, 11 November 2011

[V309.Ebook] PDF Download Build your own log cabin, by Paul Pfarr

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Build your own log cabin, by Paul Pfarr

Book by Pfarr, Paul

  • Sales Rank: #1987360 in Books
  • Brand: Brand: Winchester Press
  • Published on: 1978
  • Number of items: 1
  • Binding: Hardcover
  • 191 pages
Features
  • Used Book in Good Condition

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2 of 2 people found the following review helpful.
A good book for a beginer.
By Curtis J. Marean
This is an exelent little book for someone who wants to build a log cabin. It will explane all the basics to the beginer who is considering building one of these to live or to have a little camp in the woods. It shows you just about all you need to know in order to build one-even if you have allmost no money,a point I myself find quite helpfull,so all you "back to the lander's " should have it on your book shelf. It is plane and to the point and more importantly it willshow you diferent ways to get things underway it was writen by a couple who did this themselves and know all the pit falls. I highly recomend it. I am planing to get another copy for my self (mines all worn out!).

0 of 0 people found the following review helpful.
It was a gift
By Colleen B.
It was a gift and so far it hasn't inspired that promised log cabin.

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Tuesday, 8 November 2011

[R450.Ebook] Free Ebook Your First Year in Real Estate: Making the Transition from Total Novice to Successful Professional 1st (first) Edition

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Your First Year in Real Estate: Making the Transition from Total Novice to Successful Professional 1st (first) Edition

  • Sales Rank: #1734103 in Books
  • Published on: 1601
  • Binding: Paperback

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0 of 0 people found the following review helpful.
One to hang on to.
By KC Coach
This book is one of those that has so much to offer that I read mine 8 years ago and am still putting things in place that were talked about. I ordered this one for my brother in law.

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Saturday, 5 November 2011

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Aromatherapy: A Complete Guide to the Healing Art, by Kathi Keville, Mindy Green

A comprehensive guide to using essential oils in health, beauty, and well-being.

Aromatherapy offers countless uses for balancing body, mind, and spirit. Drawing on 75 combined years of experience in botanical therapies, Keville and Green�provide a�complete resource�for students and practitioners. This encyclopedic guide,�with more than 90 formulas, details cosmetics, perfumes, and botanical therapies that will help you harness the healing power of plants to�enhance your�beauty, health, and overall well-being.

  • Sales Rank: #66451 in Books
  • Brand: Keville, Kathi/ Green, Mindy
  • Published on: 2008-12-16
  • Released on: 2008-12-16
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x .70" w x 8.50" l, 1.22 pounds
  • Binding: Paperback
  • 256 pages

Review

"A jewel...It captures the essence of aromatherapy and presents it in a clear, intelligent, and engaging manner. It is my favorite aromatherapy book and I recommend it to all my students."

--Rosemary Gladstar, author of Herbal Recipes for Vibrant Health

"A practical, empowering, and insightful book blending the best in herbalism wtih the finest essence of aromatherapy, offering a cornucopia of healing to all who read it."

--David Hoffman, author of Medical Herbalism

"As a full-time teacher of aromatherapy, I found this book to be informative and practical. I highly recommend it to anyone interested in aromatherapy."

--Michael Scholes, president of the Laboratory of Flowers and the School for Aromatic Studies

From the Publisher
A comprehensive guide to using essential oils in health, beauty, and well-being. * Expanded and revised throughout, including new material on ayurvedic and ceremonial aromatherapy, massage, and herbal treatments, as well as updated resources and scientific findings.

About the Author
KATHI KEVILLE is an internationally known herbalist and aromatherapist. The author of 12 books, she has taught seminars for more than 40 years and is the director of the American Herb Association in Nevada City, California.

MINDY GREEN has worked in the natural products industry for more than 35 years. She is a founding member of the American Herbalists Guild and is the clinical aromatherapist for the Aveda Corporation in Minneapolis, Minnesota.

Most helpful customer reviews

81 of 81 people found the following review helpful.
This book is it!!
By Ellen Pate
Confused and disappointed with aromatherapy books that threw out disjointed information, expected you to be a chemist in reciting plant properties, or assuming you have 50- 100 essential oils for mixing concoctions (without giving precise recipe amounts), I started inter-library loaning - to finding more books. Someone had to understand that a) there were people that didn't know the first thing about this subject (and weren't interested in chemical compositions of essential oils) 2) wanted a reference book for specific situations (ie illnesses or natural beauty enhancement)and 3) didn't have $1000 to make this their overpriced hobby.

Kathi has written an orderly basic book for those of us who are just starting out, and tired of the side effect laden concoctions from pharmaceuitical companies. She starts with fascinating stories how through the ages, essential oils have kept people well. Next, she talks about how the sense of smell affects our health. She goes on to discuss the many uses for aromatherapy in medicine for anxiety, depression, insomnia stress fatigue and other uses.

I liked how she talked extensively about the safety issues in essential oils (as opposed to info I received from MLM true believers who skip warnings about issues such as liver safety in prolonged use of some of the more powerful oils). THESE OILS NEED TO BE UNDERSTOOD before just using them willy-nilly. She lists varying toxicity of different oils and why they are so to be used sparingly, if at all.

She has more, specific recommendations for dilution, for body oil, massage oil, in the bath, steam bowl inhaling, foot and sitz baths and so on. She even has a chapter on how to make your own herb infused oils, salves and vinegars.

Kathi recommends 10 basic oils (with a few added for women's issues) and gives recipes sticking mainly to those same recommended ones. Then she starts with her recipes for therapies (for digestive, bowel, repiratory, eye, ear, muscular, urinary, yeast problems and so on). There's a long list with recipes and how many drops of each to use. She then goes into the beauty angle with body and hair care. There are chapters on oil distillation and finding pure unadulterated essential oils. Plus, finally she lists about 50 oils, what they do medicinally and emotionally.

All in all, I find this a step by step book for the uninitiated. It's good to know there's someone so caring to explain things simply. THIS IS THE BOOK YOU NEED IF YOU ARE A BEGINNER. All the rest I have read seem pure junk in comparison.

3 of 3 people found the following review helpful.
Educational, inspirational, and easy-to-read
By Michelle
Such a great book. It's user-friendly and I reference it all the time. It has great explanations and quick-reference charts. I bought it for an aromatherapy course I took in college, and I learned so much from it. It has lead to many beautiful and helpful creations for my family, friends, and myself. I really appreciate how it's so organized and thorough. I highly recommend it to anyone who is just starting out with essential oils, or who wants to expand their knowledge of the chemistry and history of aromatherapy.

9 of 9 people found the following review helpful.
Very Interesting
By KLM
I am new to Aromathearapy and this book gave me more than what I was looking for - in both a good and unexpected way. On the one hand, I've learned a lot about the history and the book goes into more detail about certain aspects (the Chemistry of the oils, for example), which I love. On the other hand, I was sort of looking for a quick and simple book that said "here's the science, here's a list of all the things you can accomplish with aromatherapy with accompanying oil, here's the different ways to use the oils, and here's a list of precautions to consider." This book did not do as much of that as I would like but I'm still glad I made the purchase because I ended learning a lot and this expanded my interest. I'd still recommend this for a beginner but maybe I would have chosen it as my second book instead of my first because it's far more than a basic overview. That being said, it's a great investment and you can find a lot of the things I was initially looking for online.

See all 71 customer reviews...

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Thursday, 3 November 2011

[H742.Ebook] Download PDF John Lennon: One Day at a Time, by Anthony Fawcett

Download PDF John Lennon: One Day at a Time, by Anthony Fawcett

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John Lennon: One Day at a Time, by Anthony Fawcett

John Lennon: One Day at a Time, by Anthony Fawcett



John Lennon: One Day at a Time, by Anthony Fawcett

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John Lennon: One Day at a Time, by Anthony Fawcett

Fine paperback copy. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. ; 192 pages; Description: 192 p. : ill. ; 25 cm. Subjects: Lennon, John, 1940-1980. Rock musicians--Biography. Notes: Chronology: p. 184-187. Discography: p. 188-190. Bibliography: p. 191. Impressively photo-illustrated throughout.

  • Sales Rank: #342375 in Books
  • Published on: 1980-12
  • Original language: English
  • Number of items: 1
  • Binding: Paperback
  • 192 pages

Most helpful customer reviews

6 of 6 people found the following review helpful.
John Lennon 101
By Sandy Frazier
Musicians, writers, artists and fans alike should read this candid biopic into the lives of John & Yoko during the prime of their lives and populariy. They were involved. They were controversial. They were naive. They were important and outspoken... and most of all, vulnerable. Anthony Fawcett was more than sympathetic... he was privileged to find himself involved at a time when the magic of John Lennon transcended who he even thought he was. Forever dispells the silly myth that Yoko, Linda or anything other than John's decision broke up the Beatles.

3 of 3 people found the following review helpful.
His Life in the 1970s
By Acute Observer
John Lennon: One Day at a Time, Anthony Fawcett

Anthony Fawcett was born in 1948 in England and studied Fine Art at Oxford. He started writing as an art critic. He lives in New York and wrote this book in 1976. Fawcett worked full time with John and Yoko running their office, organizing their daily schedule, and cataloging their writings and films (`Introduction'). Lennon had a complex and varying character (pp.10-11).

`Part One - The Man' tells how his life when he met John Lennon. It tells about "The Acorn Event", a project called "art". [Do these "art projects" raise a question about judgment?] The "avant-garde set" sounds like a collection of wealthy wastrels (p.28). "Bizarre events" (p.29). "Lollypop Art" (p.38)? Was Lennon's arrest for drugs caused by planted evidence (p.39)? Did the "Two Virgins" album show mental problems (p.40)? "Demented freaks" (p.41)? "I was stoned all the time" (p.42). John was "dropping acid almost constantly" (p.43). Did the events in "The Peace Politician" have any effect?

There were big problems in mismanagement at Apple (p.81). These money problems led to the end of the Beatles (p.89). "The Dream Is Over" tells about John's feelings. The Lennon's moved to New York in 1971 and lived in the West Village (p.119). But President Nixon personally ordered him kicked out of America (p.124). In 1976 John became a permanent resident of the US (p.149).

`Part Two - The Magic' tells about John as a musician, poet, and painter. The author is a fan of John Lennon. Others will not find it worth their time to read this book. It presents John as a deeply troubled individual, probably due to his use of drugs. Whiskey did the same job on other singers. In December 1980 a national monthly magazine printed an interview with John Lennon. They quoted him as going around Manhattan without a bodyguard. One reader knew this would make him an unprotected target, and acted on this news. Sic transit gloria mundi.

0 of 2 people found the following review helpful.
Rotten reading
By Mygang6
This book was the worst purchase I've ever made! It was all to pieces and couldn't even read it! The binding was rotted and the pages fell out! Very disappointed!!!

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